About 265 artists and organizations applied and 21 will get cash
There’s an interesting sort of honesty here, where true stories of real people are highly abstracted to their most basic representation.
Internationally cool Ana Teresa Fernández at DAM, Wednesday, May 3 Artist Ana Teresa Fernández is best-known for creating installations that have her painting over sections of the...
Surrealism rears its dreamy head at Alto Gallery and Robischon Gallery.
Methodically working a sensibility that is dark and dreamy, bygone and contemporary, Steers finds herself in the midst of a particularly busy spell.
The exhibit’s centerpiece, Dáreece Walker’s in-your-face drawings, impart a bold heroism on those who strike back at law enforcement.
What photography did to painting oh-so-many years ago, it’s now suffering itself next to the infinite scrollability of the internet
Race, gender and identity have preoccupied artists working with photography since the 1980s, and it is fascinating to see those inquiries continue today
This is the first of a series of experimental writings about, and in collaboration with, select Denver artists.
Forrest Morrison’s murals at the Curtis Hotel are irreverent, irresistible and spectacularly excessive at every turn. Or on every floor, you might say.
One of the best things that happened from the 2015 Biennial of the Americas was the funding for the exchange of artists between Mexico...
Rupert Jenkins reviews "Down in Denver," photos by Jody Akers and Billy “ghost lenz” Riesling
Bateman and Jackson excel at finding an authentic language that asserts a Western identity as Western artists, in a way that far surpasses the trope of landscape painting.
I’ve been on this kick for awhile now about art getting most interesting when it edges toward real life, so the all-too-real, day-apart collision...
Center for Visual Arts photo exhibit is a welcome opportunity to grasp the complexities not so much of the Middle East, but of what it means to be Middle Eastern.
RedLine Denver presents a flock of wise owls when what we really need is a herd of pissed-off elephants.
Review: “Double Exposure” plus “Stop/Look/See” at the Arvada Center by Rupert Jenkins
Christo keeps his decision to cancel the controversial "Over the River" project brief. He is simply done. Here is the official statement: “After pursuing Over The...
“I’m a long story,” Dorothy Tanner says of herself. And she tells it, in bits and pieces, not parsing the good from the bad,...
The show is all about expressing the sensibilities of Old West iconography through the techniques of contemporary art.