This is the first of a series of experimental writings about, and in collaboration with, select Denver artists.
Forrest Morrison’s murals at the Curtis Hotel are irreverent, irresistible and spectacularly excessive at every turn. Or on every floor, you might say.
One of the best things that happened from the 2015 Biennial of the Americas was the funding for the exchange of artists between Mexico...
Rupert Jenkins reviews "Down in Denver," photos by Jody Akers and Billy “ghost lenz” Riesling
Center for Visual Arts photo exhibit is a welcome opportunity to grasp the complexities not so much of the Middle East, but of what it means to be Middle Eastern.
RedLine Denver presents a flock of wise owls when what we really need is a herd of pissed-off elephants.
Review: “Double Exposure” plus “Stop/Look/See” at the Arvada Center by Rupert Jenkins
“I’m a long story,” Dorothy Tanner says of herself. And she tells it, in bits and pieces, not parsing the good from the bad,...
The show is all about expressing the sensibilities of Old West iconography through the techniques of contemporary art.
Art exhibits can be as much about where they take place as they are about the objects they put out there. A show about...