Reviews

Review: Looking in, out and back at Arvada photo show

Review: “Double Exposure” plus “Stop/Look/See” at the Arvada Center by Rupert Jenkins

At MOA, plugging in, tuning out, turning up story of 94-year-old Dorothy Tanner

“I’m a long story,” Dorothy Tanner says of herself. And she tells it, in bits and pieces, not parsing the good from the bad,...

Western art, but without the romance

The show is all about expressing the sensibilities of Old West iconography through the techniques of contemporary art.

Review: Terry Maker has an issue with pills. A big one.

Art exhibits can be as much about where they take place as they are about the objects they put out there. A show about...

Review: Shockwave, Japanese Fashion Design, 1980s-90s

A review of Shockwave: Japanese Fashion Design, 1980s-90s, curated by Florence Müller, at the Denver Art Museum

Review: Jonathan Saiz stares down doom at Leon Gallery

The exhibit, “The Deep End,” distributes his brilliant and confused mind across the walls of Leon and it is as entertaining and immersive as any Hollywood blockbuster,

See this: James Surls & Charmaine Locke, bigger than Texas

All I Ever Wanted sounds suspicious on paper — a curiously quaint, husband-and-wife art exhibit that aims to show how each serves as the...

Why Doug Kacena wrecked thousands of dollars in Western art

Colorado has two distinct camps of artists — and they are worlds apart. There’s the representational crowd, painters and sculptors who are the heirs to...

Review: Clark Richert, Colorado’s most important painter, at Gildar

Let me quote myself — and a whole lot of other people — in saying that Clark Richert is Colorado’s most important contemporary painter....

“Star Wars” at DAM: Like Trump era, just breathe through it

By Ray Mark Rinaldi I’m approaching the Star Wars exhibit at the Denver Art Museum the same way I’m dealing with the fact that Donald...