Reviews

Why I rarely make serialized work

However, there can be many dangers to turning your studio into a factory. First, is monotony.

Q&A: Caleb Hahne talks about the time Matisse stopped by

Artist Jamie Knowlton is currently showing her work at Derrick Velasquez’s basement gallery in West Denver. But she lives in Portland, which just happens...

Cortney Lane Stell: Blowing up the art gallery

As the curator heads off for a showcase of Colorado artists in Venice, she chats about her working philosophy and reveals her plan to exhibit art in cars

Molly Bounds and the aesthetics of imperfection

There’s an interesting sort of honesty here, where true stories of real people are highly abstracted to their most basic representation.

Cut & paste: Collage Club looks forward; Stacey Steers back

Surrealism rears its dreamy head at Alto Gallery and Robischon Gallery.

Stacey Steers takes it to the “Edge” at Robischon

Methodically working a sensibility that is dark and dreamy, bygone and contemporary, Steers finds herself in the midst of a particularly busy spell.

This is the kind of show museum directors get fired over

The exhibit’s centerpiece, Dáreece Walker’s in-your-face drawings, impart a bold heroism on those who strike back at law enforcement.

Will Photography Survive Its Art-Historical Karma?

What photography did to painting oh-so-many years ago, it’s now suffering itself next to the infinite scrollability of the internet

Review: Tya Anthony/Jess Dugan, updating identity, defining place

Race, gender and identity have preoccupied artists working with photography since the 1980s, and it is fascinating to see those inquiries continue today

Dmitri Obergfell: The Death of Cool

This is the first of a series of experimental writings about, and in collaboration with, select Denver artists.