Reviews

This is the kind of show museum directors get fired over

The exhibit’s centerpiece, Dáreece Walker’s in-your-face drawings, impart a bold heroism on those who strike back at law enforcement.

Will Photography Survive Its Art-Historical Karma?

What photography did to painting oh-so-many years ago, it’s now suffering itself next to the infinite scrollability of the internet

Review: Tya Anthony/Jess Dugan, updating identity, defining place

Race, gender and identity have preoccupied artists working with photography since the 1980s, and it is fascinating to see those inquiries continue today

Dmitri Obergfell: The Death of Cool

This is the first of a series of experimental writings about, and in collaboration with, select Denver artists.

Is this Denver’s biggest piece of art?

Forrest Morrison’s murals at the Curtis Hotel are irreverent, irresistible and spectacularly excessive at every turn. Or on every floor, you might say.

Mexico City and Material Art Fair: The Importance of Being There

One of the best things that happened from the 2015 Biennial of the Americas was the funding for the exchange of artists between Mexico...

Tales of the down, and not-quite-out, at the VFW

Rupert Jenkins reviews "Down in Denver," photos by Jody Akers and Billy “ghost lenz” Riesling


At CVA: Beyond the news bubble, a personal kind of Mid East politics

Center for Visual Arts photo exhibit is a welcome opportunity to grasp the complexities not so much of the Middle East, but of what it means to be Middle Eastern.

At RedLine, losing ground in the culture war

RedLine Denver presents a flock of wise owls when what we really need is a herd of pissed-off elephants.

Review: Looking in, out and back at Arvada photo show

Review: “Double Exposure” plus “Stop/Look/See” at the Arvada Center by Rupert Jenkins